Tag Archives: Caribbean

Tropical Storm Earl Gains Hurricane Strength As Hurricane Danielle Weakens

MIAMI (AP) — Forecasters say Earl has strengthened into a Category 1 hurricane as it barrels toward several islands in the eastern Caribbean.Meanwhile, the Category 1 Hurricane Danielle was bringing dangerous rip currents to the U.S. East Coast.More… Continue reading

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Infinity Pools PHOTOS: 14 Coolest Hotel Offerings (PICTURES, POLL)

We’re grown adults, but we admit that we’re totally enamored with infinity pools. They’re just so…pretty…and…endless.But for some reason, lots of hotels and resorts don’t have them (it may be due to their steep installation price tag). So, we toi… Continue reading

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Shrek 4 Wins Memorial Day Box Office Derby, While Sex and the City 2 and Prince of Persia Crash

Usually the above picture would make me sad, but Allison is actually napping again! For the record, this will all be related to the three-day weekend, as the four-day holiday numbers have of course not been released yet. As expected, Shrek: The Final Chapter was able to easily surpass Sex and the City 2 to take the weekend crown over Memorial Day weekend. The contest on Friday was close enough that Shrek: Forever After was able to capitalize on strong family matinee business as well as the HBO sequel’s downward plunge. In the end, the three day total is $43.3 million. That’s a drop of 38% from last weekend’s disappointing $70 million opening sprint. Since every single Shrek picture opened on the same weekend, the comparisons are easy to make. For reference, the first Shrek actually increased 0.4% over its second weekend, grossing $42.4 million in its second, holiday-inflated frame. The second picture set a record for the largest non-opening weekend of all-time, grossing $72.1 million and dropping just 33% (it’s still the third-biggest second weekend, behind The Dark Knight‘s $75 million and Avatar‘s $77 million second-weekends). The third picture was beset by poor word of mouth and the monstrous opening weekend of Pirates of the Caribbean: At World’s End ($1114 million over Fri-Sun), plunging 56% from $121 million to $53 million in its second frame.

But the fourth Shrek picture was able to soften the drop, aided both by the much-smaller opening weekend (IE – more people to sample the film this weekend), as well as the relative audience disinterest in the opening pictures. The combined opening weekends of Prince of Persia and Sex and the City 2 was around $62 million, or just over half what Pirates of the Caribbean 3 made by itself over its first three days. Where the fourth Shrek picture ends up at this point is an open question, but the impressive second-weekend means that the franchise has saved a token amount of face after the comparatively disappointing opening weekend. It will likely have just under $145 million by tomorrow, but it is badly trailing the prior sequels in total amount grossed by the tenth day ($133 million vs. $236 million for Shrek 2 and $203 million for Shrek the Third), and it in fact grossed less on its second Sunday ($14.9 million) than the first Shrek grossed on its tenth day ($18.1 million) nine years ago. Whether or not it can get to the $220 million plateau (so that all four of the highest-grossing Dreamworks cartoons would be Shrek pictures) or whether it fails to cross $200 million will largely depend on how well it weathers the direct demo-competition of Marmaduke next weekend.

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Princess Letizia’s Ponytail: Spanish Clotheshorse Debuts Summer ‘Do (PHOTOS, POLL)

Princess Letizia attended the “VI European Union – Latin America and Caribbean Summit” dinner at the Royal Palace on Monday…with her hair in a ponytail. We can only remember seeing her with her hair down–either straight or curly–but never up, much less at a dressy dinner. She paired her new ‘do with an embellished dress and platform pumps.

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Iron Man 2 Grosses $133 Million in Debut Weekend

Iron Man 2 has grossed $133.6 million for the Fri-Sun period. That gives the sequel a relatively reasonable 2.54x weekend multiplier. It is currently the fourth-largest opening weekend on record, behind Pirates of the Caribbean: Dead Man’s Chest ($135m), Twilight Saga: New Moon ($142m), Spider-Man 3 ($151m), and The Dark Knight ($158m). The film scored $10.2 million in IMAX theaters alone, breaking a record for a 2D IMAX debut (Star Trek‘s opening weekend grossed $8.2 million in IMAX over the same weekend last year). The gender split was 60% male and 40% female. The age demos were 60% over 25 and 40% under 25. As mentioned yesterday, the film scored an ‘A’ from Cinema Score audience polling.

The film pulled in $57 million in international grosses this weekend, giving the film a $194 million worldwide weekend. Coupled with the film’s international roll-out last weekend (it was released April 30th in many overseas markets to steer clear of World Cup fever), the Paramount sequel has amassed $327 million worldwide so far. As mentioned yesterday, there will invariably be some talk that the film’s US opening weekend was somehow disappointing because it didn’t break the opening weekend record (“Boo-hoo, it should have been in 3D smell-o-vision!”). It pulled in $133 million in the first three days. It is the biggest opening weekend in Paramount history. Iron Man 2 grossed $52.4 million on Friday and $46.5 million on Saturday, and an estimated $34.8 million on Sunday. It had the fifth-biggest Friday, the fourth-biggest Saturday, and the sixth-biggest Sunday. And remember, there is a good chance that Paramount severely underestimated the Sunday figures, so don’t be too surprised if the total creeps up just enough to surpass the $135.6 million earned by Pirates of the Caribbean: Dead Man’s Chest for the number 04 position in the opening-weekend chart.

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The Ripple Effects From Times Square To GTMO

By C. Dixon Osburn, Director, Law and Security program

I was swimming at Girl Scout Beach on Guantanamo Bay after another full day of testimony in the hearing of Omar Khadr. He was the fifteen year-old Canadian seized by American forces in Khost, Afghanistan for allegedly throwing a grenade that killed an American soldier. The Caribbean waves that melted into the horizon reminded me of our obligation to get it right–legally, politically, and morally–precisely because of the profound expanse before me.

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The Oily History of Offshore Operations: From Venezuela to the Gulf

Though undoubtedly shocking and disconcerting, the recent BP oil spill in the Gulf of Mexico is hardly the first incident of its kind in the region. Indeed, as I watched the footage of the ominous oil spill approaching the ecologically sensitive coast of Louisiana, I was struck with a profound sense of déjà vu. Long ago, while researching my dissertation on the environmental history of the petroleum industry in Venezuela, I combed through archives and libraries in the U.S., Britain and South America to uncover the oil companies’ sordid past. Starting in the 1920s, American and British subsidiaries of Standard Oil of New Jersey, Gulf and Royal Dutch Shell turned environmentally pristine Lake Maracaibo, which empties out into the Gulf of Venezuela and the Caribbean, into toxic sludge.

Travel to Lake Maracaibo today and you can still see the relics of the pioneering petroleum past: hundreds of offshore oil derricks dot the horizon as far as the eye can see. During the 1920s oil was a messy business and blow-outs, fires and fantastic gushers were a common occurrence. Just as in Louisiana today, the oil industry in Lake Maracaibo put delicate lakeshore mangroves in danger as well as tropical wildlife. The water used by local residents for domestic uses came from the lake itself, and reportedly there was little risk of getting sick from the water as it was clean, such that one could even see the head of a coin or a needle in the water. With the arrival of the oil companies however, the water became dirty.

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Arizona Parties Like It’s 1924

I’m here to speak for my grandparents.

Last week I was in the part of Manhattan called the Lower East Side, the first American home of my grandparents and parents. That they settled in the Lower East Side was no surprise — it’s been the first home of a whole lot of new Americans including Italians, Irish, Jews from Poland and Germany, Latinos from Central America and a whole lot of folks from the Caribbean. I imagined what the neighborhood would have sounded like when my parents lived there, as people yelled out open windows across narrow streets in a frenzy of languages as rich and diverse as the smells of the food cooking; Polish, German, Italian, Yiddish, Spanish. The Lower East Side in the 1920′s was crowded, smelly, poor, and brimming with the optimism of a new beginning.

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The revolving door of Twilight directors: Bill Condon officially signed to helm Twilight Saga: Breaking Dawn.

After months of speculation, Summit Entertainment has finally landed Oscar-nominee Bill Condon (nominated for writing Gods and Monsters and Dreamgirls respectively) to helm the final book of the Twilight series, the much-debated Breaking Dawn. There is still no word as to whether the book will be split up into two films ala Harry Potter and the Deathly Hallows. The principal cast members would likely have much negotiating power if such a move were to take place, so Summit would have to weigh the cost of paying Kristen Stewart, Robert Pattinson, and Taylor Lautner giant raises versus the likely cash cow that would be one more Twilight picture. I can only presume that Bill Condon will be directing all of Breaking Dawn whether the book is adapted into one or two pictures. This likely puts Condon’s theoretical next picture, Richard Pryor: Is it Something I Said? with Marlon Wayans as the groundbreaking stand-up comic, on the back-burner for at least the next year.

Frankly, the most interesting thing of note is that in this age of director-shepherded franchises, the Twilight Saga will end up having a different director for each book. Even the Harry Potter franchise has had four helmers for eight pictures, with Chris Columbus directing the first two pictures and David Yates directing the final four episodes (of course, Alfonso Cuaron directed part 3 and Mike Newell directed part 4 in between). Even if Breaking Dawn becomes two movies, that’s still four directors for five movies in a single narrative. In this day and age, where Sam Raimi starts and finishes his personal Spider-Man trilogy, and Chris Nolan seems set to close out his Batman epic, it is a little unusual for the cast and narrative to maintain such consistency while the director’s chair is a revolving door. It is one thing when an initial helmer is shown the door or leaves the series after two installments for whatever reason (Batman Forever, X-Men: The Last Stand, Chronicles of Narnia: Voyage of the Dawn Trader),or when the studio wants to revive a finished series with fresh blood (see Rob Marshall taking over the reins from Gore Verbinski in the new Pirates of the Caribbean picture) but it is quite interesting that Summit is so determined not to maintain the slightest bit of directorial consistency with a series that none the less maintains a rigorous narrative continuity.

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Remembrance of Things Past: The Original Downtown Los Angeles Arts District and the Yellow Trees

Every Spring I enjoy the yellow trees that bloom in the Arts District. They’re the only ones in downtown Los Angeles that I have been able to find. One of my ex-students from the Landscape Architecture Department at UCLA Extension identified them as tabebuia caraiba – Caribbean Trumpet Trees. They make me really happy.

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